Art and Institution examines how for Merleau-Ponty the work of art opens up, without conceptualizing, the event of being. Rajiv Kaushik treats Merleau-Pontys renderings of the artwork specifically in his later writings during the period ranging from 1952-1961 as a path into the being that precedes phenomenology. Replete with references to Merleau-Pontys reflections on Matisse, C

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