A persuasive reappraisal of Scottish architect and designer Charles Rennie Mackintosh which argues that his originality was grounded in a highly subjective 'poetics of workmanship', in which the structure, features, interiors, and furnishings of each building became subject to a unifying system of forms, metaphors, and unconscious associations. 'informative and exciting . . . it makes compulsive reading' - Journal of Design History

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